Sun orientation, conflicting views and wind protection were all dealt with through the introduction of an isotropic geometry: a pentagon. The house was rotated so all rooms could enjoy clear sea outlooks avoiding the hotel. A square was removed from the core of the pentagon to let more daylight into the house and create interesting visual connections. This void became a south-oriented patio protected from the strong northern wind. Three of its sides are built up by large sliding glass doors that connect both visually and physically the opposite zones of the garden making it possible to gaze at the sea through the ground floor. The fourth wall of the patio is removed forming a north-south axis of outdoor interconnected spaces: terrace - dining - patio - swimming-pool area. Two sliding windows inclosing the indoor/outdoor dining space allow a flexible control of natural ventilation and wind protection. From autumn to spring the patio captures the heat of the sun resulting in a warm and inviting space, while in the summer the same place can be covered and turned into a large porch with a soft breeze from cross ventilation.

The facade finishings take strong references from local fisherman’s architecture with whitewashed walls and navy blue or deep green shutters. Nonetheless, the large scale of aluminium sliders in pastel turquoise colour give the composition a clear contemporary character. The deployé shutters block the sun during daytime and secure the house when it is closed for the season. The grainy plaster of the outer walls creates an interesting contrast with the inclined frames around the large windows, were a smooth treatment enhances the sharp edges of its leaning roofs. The back side of the house has a completely different language where smaller squared windows, flush with the outer facade, remind of a more domestic scale.