The project sort to reference and graphically subvert the aesthetic style of the existing building and others typical of the period – Charles Holden's historic art-deco tube stations being a notable point of interest.

The scheme is tied together by a motif of deco-inspired curves which are present – either boldly or more subtly – in every room. Within the extremely compact kitchen, repeating curves are found in fluted oak cabinetry which is complemented by the bold blue timber terrazzo surfaces. A circular window was also introduced between the kitchen and living space, to better connect the two. The oak-framed stained-glass window rotates smoothly in just the slightest of breezes and forms a subtly shifting focal point from both rooms. On the opposite living room wall, the fireplace was reinstated and framed with a bespoke arched concrete and terracotta fire surround, which was hand-made for the project by our studio.



The doorknobs reinterpret the classic doorknob profile into an understated minimal form. The need for the design and manufacture of doorknobs came from a frustration at the scarcity of well-designed door ironmongery, sympathetic to both modern and contemporary contexts. The doorknobs are made of solid unlacquered brass and each one is finished by hand to achieve a burnished finish. To manufacture the handles the architects worked with Birmingham-based ironmongery manufacturer Frank Allart, who used over 100 years’ experience to help realise the exceptionally high-quality door furniture.